1. for-seeing into a rock pool requires looking through the water when calm and still. There then the viewer can see many divergent textures of sea weed rocks molluscs and perhaps fish or octopi. Oh is that a blue-ring octopus Ah so now you can feel an emotion you can see.
acrylic on board.
65cmHx140cmW
white wood box frame
CREATIVE PAINTING
TITLE:four forty four
2. on the beach as quick as you can after work 4:44 seems to be that time...bliss...rinse the day off...home now for food.
Title: Dipped in Saltacrylic on canvas 61cmH76cmW
for feeling
CREATIVE PAINTING
TITLE: a vision perchance to dream
3. the Moon cometh with fire
tonight
acrylic on canvas 61cmH76cmW
creative a truth
4, the figures legs are all in a twist...but i think that's its intestines grappling with change "all tied up" is that a crown can't quit see for looking. Lots of eyes looking here looking there.
Title: Charles a melting crown
acrylic on wood
140cmHx65cmW
white wood frame
creative
" [...] the artist has merely to be more keenly aware than others of the harmony of the world, of the beauty and ugliness of the human contribution to it, and to communicate this acutely to his fellow-being. And in misfortune, and even at the depths of existence - in destitution, or adulation - the sense of stable harmony never deserts the artist.
Abide all the irrationality of art, its dazzling turns, its unpredictable discoveries, its shattering influence on human beings - they are too full of magic to be exhausted by this artist's vision of the world, by artistic conception or by the work of the artists unworthy fingers."
loosely based on Aleksandr Solzhenitsyn (1918-2008) in his
Nobel Prize Lecture [1970].
" [...] the artist has merely to be more keenly aware than others of the harmony of the world, of the beauty and ugliness of the human contribution to it, and to communicate this acutely to his fellow-being. And in misfortune, and even at the depths of existence - in destitution, or adulation - the sense of stable harmony never deserts the artist.
Abide all the irrationality of art, its dazzling turns, its unpredictable discoveries, its shattering influence on human beings - they are too full of magic to be exhausted by this artist's vision of the world, by artistic conception or by the work of the artists unworthy fingers."
After the Winter Swim Mixed media graphite and ink on yogee paper White wood frame 90hx60w
Winter look Out Mixed media graphite and ink on yogee paper White wood frame 90hx60w
Always a better Wave Mixed media graphite and ink on yogee paper White wood frame 90hx60w
The Winter Swell Mixed media graphite and ink on yogee paper White wood frame 90hx60w
acrylic on canvas 130cmx140high.
painted spontaneously over what was an awarded landscape 'moloch' a pagan and old testament deity that rains over the natural world where creation forms life ultramarine blue represents creative flow directly from our universe flame the heat of constance the moon our regulator ...
acrylic on canvas 90cmx120high.
painted from drawings made by the artist on a digital platform whilst flying somewhere... extricably changed over many incarnations now with white ground that heightens the majesty form ; the waving hand the hair the sensible shoes the throne nearly obliterated the landscape disappearing the church just visible....
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